Much has happened since then. In keywords: Ukraine and Crimea (cf. Krüger 2016), Pegida and the AfD, Angela Merkel's "Wir schaffen das," the rise of Greta Thunberg as an icon of the climate movement, and the triumph of an identity politics that does not even shy away from the language of public service broadcasting (cf. Unger 2021). The leading media have taken sides in these societal conflicts, considerably reducing the space for public debate as a result (cf. Mausfeld 2018) and have thus lost a part of the audience. These people do not simply turn away from the press and the screens, but take their protest to the streets, no longer allow themselves to be interviewed or photographed, and often show this disapproval very clearly.

This type of critical potential is not being heard at universities. Academic media research has always been a "state science" (Meyen 2021). What is taught as communication studies in German-speaking countries today was invented by an entire social sciences army in the U.S. during World War II – by people commissioned by government, military, and intelligence agencies to figure out how to get inside people's heads and win the struggle for public opinion, paid for by the state and billion-dollar industrial foundations (see Pooley 2011).

Those familiar with this tradition are not surprised by award-winning journal articles demonizing the use of opposition portals and indirectly calling for censorship (cf. Schindler et al. 2018 as an example), nor by the renaissance of studies on media credibility and public trust in journalism – a line of research that the U.S. occupation forces brought to West Germany to legitimize the new political system and the associated communication regime (cf. Meyen 2020). With the help of broad-brushed questions, it is possible in this context to create the illusion of a satisfied majority and thus to suppress doubts about the quality of democracy and the leading media.

Since the beginning of 2020, this debate can no longer be stopped. To put it bluntly: If the leading media had fulfilled the "social mandate" to provide a public sphere of open debate (Pöttker 1999) and delivered what legal texts and the press code demand (above all: diversity, balance and neutrality), the narrative of the "killer virus" would have collapsed just as quickly as the claim that Covid-19 cannot be treated and therefore only a vaccination can save us (Arvay 2020: 55, Woodworth 2021). Even more pointedly, with a functioning media system, this Corona 'pandemic' would not have happened.

The symbolic power of the leading media is a seduction for all who have the necessary means or the ability tighten the thump screws. Ulrich Beck (2017: 129, 134) has logically described "power relations" as "relations of definitional power." Power: Today, this means being able to make risks visible or to quite literally make them disappear. It also means playing risks off against each other. The financial market is more important than the climate, terrorism is more important than transparency on the internet, everyone's health is more important than my own personal freedom to publish what I think is right. Covid-19 has confirmed Ulrich Beck's diagnosis of the metamorphosis of the world, but quite differently than he thought. Yes: there were "television images of everyday horror" and even something like a "world communication" (Beck 2017: 32, 170), but the internet and the digital platforms, which to Beck are drivers of the metamorphosis, have been supporting actors in this story, at best. Now we know (and have long suspected) that the "powerful" (a large coalition of “experts, industry, the state, political parties, and established mass media") can also control what Beck (2017: 172f.) calls "adjacent public sphere" – the places where problems that the "mainstream of the nationally organized public sphere produces" can be addressed and discussed.

When we use leading media, we observe power relations of defining meaning. Who brings his topics, her view of things into the public sphere? Whom can I quote without danger, who or what can or must I refer to? Which terms are appropriate and which are not? If the leading media say that there is a virus and a disease that I should be afraid of, I have to take that seriously, because those who make decisions about my life take it seriously. I can argue the opposite and attack the definitional power, but in that case, I must expect to lose all reputation without any public resistance.

The "social mandate" to provide a public sphere of debate is rooted in the model of pluralism: in society there are many and partially conflicting opinions and interests which, in principle, hold equal rights (the interests of individuals and outsiders in the same manner, a those organized in parties or associations). The field of rapprochement is the public sphere: "In principle, no social group, not even an individual, but also no object, no topic, no problem may be excluded from it" (Pöttker 1999: 219f.). Instead, the leading media, in concert with politics, have shrunk the space of public debate to a narrow corridor from early 2020 onward, creating a reality that many (had to) believe to be so real that the world could be restructured completely in the name of fear of a virus.

It is too early to present a synopsis of media content research at this point. Science is slow – particularly so when a narrative like that of the killer virus along with dependence on government funding paralyze large parts of the university landscape. I will bundle the few studies on the topic, as well as the numerous observations published on digital platforms and in the nonfiction market, into three theses to then identify causes as well as research needs:

I do not want to minimize the challenges associated with the last point alone, but rather to advocate that the effects of public communication (the subject of my academic discipline) should no longer be sought exclusively at the individual level exclusively but rather to consider societal knowledge as a whole – including norms and values as much as concrete narratives and ideas that guide political, economic and, of course, scientific practices. Such effects require neither direct nor indirect media contact (via interpersonal communication) and therefore cannot be 'measured' along the traditional methods of media research (surveys and experiments) or 'explained' with the medium-range theories often based on psychological insights which dominate the field today.

Second, critical journalism research should focus on the conditions of media production that I have just touched on, which of course include all that has been discussed under the label of 'surveillance capitalism' (Zuboff 2018). While working on this text, an email was published which the aforementioned Marc Walder sent not only to the Ringier-leadership, but also to the heads of the other Swiss leading media on March 20, 2020. In it, Walder announces how his print and online platforms will support the "Stay at home" campaign, launched by the Federal Council and the Department of Health, and encourages them to do the same. The government, Walder added, has "gladly taken note" of his initiative and will follow up with "some kind of speech to the nation" from the president.

Those who are interested in the interplay between politics and the leading media, in the homogeneity of reporting or in the influence of algorithms and the composition of editorial teams onto media reality (cf. Ungar-Sargon 2021) do not necessarily have to take such leaks as a starting-point. At this point, and representatively for many others, I will here refer to work focused on the logic of practices within a media system that follows the imperative of attention (cf. Karidi 2017), on medialization (= everything that people and organizations do to generate positive and prevent negative coverage, cf. Meyen 2018), and on a journalistic field that is closely interwoven with centers of power (cf. Krüger 2019) which is also oriented toward "the acceptance of power structures" (Klöckner 2019: 33, cf. Wernicke 2017). The foundation is there. Now it is time to build a house in which critical media and journalism research also finds its place.